Société X Art Basel | Art Basel Unlimited | Art Basel Parcours

Preview Days: June 16 – 18, 2025Public Days: June 19 – 22, 2025 

Berlin-based SOCIÉTÉ will participate in the 55th edition of Art Basel, from June 16 – 22, 2025, at Messe Basel. The gallery will present works by Jeanette Mundt, Trisha Baga, Petra Cortright, Conny Maier, Kaspar Müller, Tina Braegger, Timur Si-Qin, Wynnie Mynerva, Salim Green, Marianna Simnett, Bunny Rogers, Anh Trần, and Lu Yang at booth K8.

Petra Cortright at Art Basel Unlimited 

American artist Petra Cortright, will present a video installation titled sapphire cinnamon viper fairy at Art Basel’s 2025 Unlimited sector, at booth U67. The work takes the form of over two hundred webcam videos spanning fifty monitors. Looping videos across multiple screens, Cortright seeks to spatialize the fragmented, ephemeral nature of digital experiences. Each individual video, a tiny, self-contained world, converges into a larger, ever-evolving collage. Conceived in an era before smartphones and selfie culture, when the internet was, in the words of the artist, “a big empty space,” Cortright’s webcam works reflect an organic form of online existence: one driven by curiosity and the desire to simply be seen, even if just for a fleeting moment.

Marianna Simnett at Art Basel Parcours

British-Croatian artist Marianna Simnett will present a video work titled Interlude in Art Basel’s 2025 Parcours sector, curated by Stefanie Hessler, in the Merian Hotel parking lot. The video loops within a sculpture of a concession stand inspired by those found at sporting events. Rendered in rich ochre, red, and gold tones, the work’s sculptural element appears illuminated from within by an otherworldly inner glow, giving it a mesmerizing, eerie quality that intensifies when the shutters lift to reveal a video of a solitary woman singing and preparing food—only to retreat behind the blinds once more. Interlude repositions the often-invisible figure of the vendor into a role of unexpected prominence. The video teems with tactile and abject imagery: sweating hotdogs glisten inside a food warmer, while ketchup and mayonnaise splurt and ooze, highlighting the visceral, almost grotesque materiality of the space and the tasks performed within it. These fluids echo the unease of containment and release, adding a layer of discomfort to the woman’s melancholic performance. The video exudes a dreamlike, almost Lynchian atmosphere, contrasting the gritty energy of sport with the melancholic presence of its protagonist.