Ming Wai Lit on theatre production 35th May

Marking the 35th anniversary of the pro-democracy protest and massacre at Tiananmen Square in Beijing on June 4th 1989, the award-winning production by Hongkonger Candace Chong Mui Ngam receives its English language premiere at Southwark Playhouse from 29th May – 1st June. Based on interviews and real-life stories of parents who lost children at Tiananmen Square, May 35th is the story of an elderly couple whose dying wish is to hold a proper ritual for their dead son in the place where he was murdered by the state 35 years ago. This four times winner at the 29th Hong Drama Awards opened to sold out theatres in Hong Kong, Japan and Taiwan previously. We spoke to producer Ming Wai Lit about bringing the production to the UK

Can you sum up what May 35th is about?

May 35th is a play that commemorates the June Fourth Massacre. It explores the themes of memory, resistance, and the enduring spirit of those who fought for freedom and preserved historical truth in China.

In 2019, May 35th was legally performed in Hong Kong, serving as a vital reminder of the city's role in keeping the history of June Fourth alive. However, the implementation of the National Security Law in 2020 drastically changed the landscape. The new law has led to increased censorship and suppression of freedom of speech and creation, making it impossible to stage such performances in Hong Kong today. The government has actively worked to erase the history of the 1989 democratic movement and the 2019 Anti-Extradition Law Amendment Bill Movement, creating a climate of fear and repression.

The play not only commemorates the past but also reflects on the current struggles faced by Hong Kong citizens under an increasingly authoritarian regime. May 35th stands as a testament to the courage of those who continue to fight for freedom despite significant risks and challenges. By bringing this production to international audiences, we aim to shine a light on these ongoing issues.

What inspired you to bring May 35th to English-speaking audiences, and why did you choose to produce it in London?

The inspiration to bring May 35th to English-speaking audiences stems from the universal relevance of its themes. The struggle for democracy and human rights resonates globally, and it's crucial to keep these stories alive, especially at a time when freedom of expression is under threat in many parts of the world. London, with its rich cultural diversity and history of supporting theatre and art, provides a fitting backdrop to amplify these important narratives and reach a wider audience.

Additionally, London is home to a significant population of international students, including many from China. We aim to create a dialogue with this vibrant, young audience, encouraging them to reflect on the importance of human rights and democratic values in their own lives and communities. This city offers an unparalleled opportunity to connect with a global audience and foster a deeper understanding of the historical and ongoing struggles for freedom and justice.

Can you describe the journey of Stage June Fourth from its origins in Hong Kong to its revival in the UK?

Stage June Fourth began in Hong Kong as a collective of artists and activists dedicated to preserving the memory of the Tiananmen Square Massacre through performance. The enactment of the National Security Law in Hong Kong created a hostile environment for such politically charged works, forcing many creatives to either go underground or seek opportunities abroad. Reviving the production in the UK has allowed us to continue our mission while bringing the story to new audiences and drawing international attention to the ongoing struggles for freedom in Hong Kong and China.

By speaking the truth overseas, we demonstrate that we are not giving up. Producing May 35th in the UK provides a platform to share our message with a global audience, emphasizing the resilience and unwavering spirit of the Hong Kong people in the face of repression.

What were some of the logistical and emotional challenges you faced in producing a play with such sensitive and politically charged content? How has the passage of the National Security Law in Hong Kong impacted your work and the work of other creatives involved in this production?

Ensuring the security of our cast and crew, both in Hong Kong and abroad, was a primary concern. Many of our creative team members work under pseudonyms because they worry about the safety of their families in Hong Kong and the rising concern of transnational repression, especially in London. The passage of the National Security Law has cast a long shadow over our work, forcing us to be more cautious and, in some cases, to operate in exile.

However, the law has also galvanized our commitment to preserving and promoting these crucial narratives. The determination to speak the truth and uphold the identity of Hongkongers drives us to overcome these challenges. This act of resilience and defiance underscores the enduring spirit of our team and the broader community of Hongkongers committed to the fight for justice and human rights.

How has the collaboration with Amnesty International UK influenced or supported the production of May 35th?

Collaborating with Amnesty International UK has been immensely beneficial. Their support has provided us with resources, visibility, and a platform to connect with audiences who are passionate about human rights.

On a personal note, what has been the most rewarding aspect of producing May 35th?

As a newcomer to the UK, the most rewarding aspect has been witnessing the anticipation and support from potential audiences and seeing the impact our preparations have had on those involved. We have received a great deal of encouragement and reinforcement, with many local people expressing their appreciation for preserving the historical truth overseas. For example, several audience members have reached out with positive feedback, sharing how our efforts have inspired them and strengthened their resolve to advocate for human rights and democracy. This positive feedback has made me feel welcomed and supported in my new environment.

Knowing that people are moved and inspired even before the play is performed reaffirms the importance of our work. Additionally, collaborating with a dedicated and passionate team who share a commitment to justice and human rights has been incredibly fulfilling. The process of bringing May 35th to life serves as a tribute to those who lost their lives and a powerful reminder of the ongoing struggle for freedom. This collective effort not only honours the past but also fuels the fight for a more just future.